QUOTE (tharock01 @ Jul 4 2009, 09:04 PM)

I ten to like the moves you can pull out of nowhere, like the RKO, backstabber, sheltons one (wheterv its called) but most prob the super kick, because its simple, looks and sounds effective
x2
The Stunner, Rock Bottom, etc. I like a finisher that can swerve the crowd by being fast enough to be unexpected.
I'm not fond of finishing (or any) moves that allow the performer to milk the crowd. Flair is the greatest of all time, but I hated the way he did the Figure-Four there toward the end; where he would "Woo!" and milk it. I liked how, in the old days, he would just slap it on.
Also, if HBK's elbow drop is so devastating, why does his opponent always get up within seconds of being hit by it, allowing him to set up the Sweet Chin Music? It defies logic and looks phony as hell.
Why do the announcers make such a big deal of someone getting hit with Matt Hardy's Side-Effect when no one in the history of wrestling has ever been beaten with it?
While it's not a finishing move, I have a HUGE issue with Booker T's bicycle kick, Harlem Sidekick or whatever they're calling it these days. Isn't it the phoniest looking thing in the world when he kicks someone in the stomach and takes off for the ropes, while his opponent just bends over and waits for the kick? For the love of God, sell the initial kick...make it look like there's a reason for standing there bent over.
The best I ever saw anyone take it was Jericho. He actually went down to one knee with his face contorting in pain and perfectly timed getting his head back in place to get hit.
Jim Cornette, on Triple H: "And a sledgehammer? Jesus Christ, I wish he'd hit me in the head with it before he starts talking on TV."